This month's highlights PLUS: What to add to your Netflix queue this month.
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|Chamber music, poetry—it’s all the same thing, really. Sure, there are obvious differences, but that doesn’t mean that one of the world’s leading composers and one of the most renowned poets of her generation can’t become seamless collaborators. That’s what happened with A Woman’s Life, which was written by composer Richard Danielpour with words by Maya Angelou. Eight of Angelou’s poems were set to music by Danielpour to create a “song cycle” about significant experiences a woman has throughout her life. The pair wrote A Woman’s Life expressly for soprano Angela Brown, who will perform it for Copland House at Merestead on March 27.|
|Randy Newman has been writing music professionally since the early 1960s, making a name for himself by showcasing his sense of satire. (Some Westchester Magazine editors, smaller in stature, still hold a grudge against him for “Short People.”) But it’s his extensive work scoring and writing songs for films that’s given his own music a fuller sound. Of his most recent solo album, 2008’s Harps and Angels, the Village Voice wrote, “Underneath orchestral arrangements more celluloid than Top 40 is pure parlor-room technique: an old man, his beat-up piano, and songs committed to heart, not paper.” You can see that “old man” tap out songs on his beat-up piano when Randy Newman comes to the Tarrytown Music Hall on March 4.|
When the play Dancing at Lughnasa debuted in 1991, it inspired the New York Times to write, “This play does exactly what theater was born to do, carrying both its characters and its audience aloft on those waves of distant music and ecstatic release that, in defiance of all language and logic, let us dance and dream just before night must fall.” The Times wasn’t the only admirer, either; the play was nominated for eight Tony Awards, and won three (including one for Best Play). Not too shabby, eh? If you want to see playwright Brian Friel’s masterpiece, about the five unmarried Mundy sisters living in Ireland in 1936, head to the Schoolhouse Theater. There, performances of Dancing at Lughnasa will take place from March 10 to April 3.
|If you’ve been to Broadway in the past five decades, chances are you probably have seen Bernadette Peters belting it out from the stage. And, if you haven’t, you should. The Performing Arts Center at Purchase Collage provides the perfect opportunity when it hosts an evening with Peters on March 5. There, she’ll be singing Broadway favorites, including songs from Stephen Sondheim’s shows—fitting, seeing as she most recently starred in the revival of his A Little Night Music.|
|It’s understandable that artists have been hit hard by the downturn in the economy. After all, even in the best of times, many of them are known as “starving.” Some resourceful artists, however, have found a way to use the current financial climate as a source of inspiration. ArtsWestchester has gathered more than 20 of these artists for its newest exhibition, The Bank and Trust Show, which will be on view from March 18 to June 4. There, you can find Chance City, Jean Shin’s house-of-cards-style metropolis made from thousands of used scratch-off lottery tickets, and photographer Michael Vahrenwald’s pictures of White Plains’ current and former bank buildings, one of which dates back to the 1920s. Best of all: You can enjoy this art without making your own wallet any lighter, since admission to the gallery is free.|
Tom Otterness’s Last Penny on view at the Bank and Trust Show.
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