
It's hard to believe that a musical can have seven sequels—we're getting into a Nightmare on Elm Street and Friday the 13th number of installments here—but, lo and behold, playwright Dan Goggin has rustled that many for his Nunsense series. Meshuggah-Nuns, the fifth in the sequence, opened last week at the Westchester Broadway Theatre, where it will run until March 21.
This time, the Sisters of Hoboken head to the high seas, on the "Faiths of All Nations World Cruise" aboard the U.S.S. Golden Delicious. But, after a week of rough waters, the cast of ship's scheduled entertainment (a production of Fiddler on the Roof) is laid up and the Sisters have to step in with their own variety of musical entertainment, aided by Howard, who was supposed to play Tevye (and still wears his costume).
As with all of the Nunsense shows, the greatest strength is in creating a complete experience as opposed to a static play. Everything is in character: when you get to your table, a program from Eden Cruiselines awaits you, and pre-show announcements are made as if from a cruise director. There's even a little audience participation, like a real lounge variety act.
And, since it is a lounge variety act, it's best not to think of Meshuggah-Nuns as a musical. Sure, there's singing, rudimentary dancing, and a few spoofs of popular Broadway shows and songs. Still, the play feels more like an evening of stand-up comedy. In fact, some of the bits are listed in the program alongside the musical numbers. There are corny puns, Laugh-In-style jokes, and some visual gags. The music mostly serves to highlight the punch lines, some of which—like most stand-up comedy acts—can feel awfully familiar.
Then again, there are only so many jokes you can make about nuns. (Or Sarah Palin, apparently, since a spot-on imitation found its way into the mix—how quickly are these sequels written, anyway?—and, though its accuracy was impressive, it relied on a Palin quote we're all already sick of hearing.) Maybe that's why Howard was brought in. He teaches the Sisters some Yiddish, finds common ground with the nuns in the guilt they all feel, and generally opens up a whole avenue of jokes previously unavailable to a production whose entire cast wears a habit. David Edwards, who plays Howard and has previously appeared in The Fantasticks and the first national tour of The Producers, is one of the few highlights of the production, and his monologue is the funniest of the night.
It's worth noting that the Westchester Broadway Theatre is offering up some pretty good bargains right now. If you'd rather skip the meal, on Wednesdays you can pay $30 and just catch the show. If you buy a Thursday ticket for this show, you'll get half off a Thursday ticket for Funny Girl, the next show. There are more family discounts and two-for-one deals offered through the Theatre's website. We're always in the mood for a bargain.
Photo by John Vecchiolla

Articles Editor Marisa LaScala joined Westchester Magazine in 2003, and ever since she's blown every paycheck at the Greenburgh Multiplex. She also staunchly defends Richard Kelly, doesn't mind spoiling the endings of trashy movies you're curious about but don't want to pay to see, wishes the Hold Steady would come and rock out Westchester, misses Arrested Development more than anyone can imagine, and still watches cartoons and Saturday Night Live. You can find more of her cultural criticism at www.popmatters.com, where she is a staff writer.
Reader Comments:
You were very kind to this boring bit of nunsense. I saw the show and all I can say is "Amen its over". Hopefully Mr.Goggin will have a devine revelation and think the same thing and end it all. It's time he break this 'habit'!!
We had a blast at this show and so did the audience the night we were there. If there was ever a time we needed some silly laughs this is it. The world is so full of depressing news. If parashoes (above was bored) I would bet money that parashoes IS BORING! Also parashoes should learn to spell or at least get spell-check. The word is DIVINE. From what I understand every Nunsense show has grossed millions and saved more than 50 theatres from bankruptcy. Why on earth would someone stop that??
Without resorting to name-calling, I'd say that's the danger of centering your show around jokes. Humor is so subjective--moreso I think that good music, or spectacular song-and-dance-and-effects numbers--that it has to hit your sensibility exactly right for you to enjoy it, which is hard to do for a large audience. For Phojo48 the play was in the strike zone, for Parashoes (and Peter Kramer over at LoHud, apparently: http://www.lohud.com/article/20090224/ENTERTAINMENT/902240302/1164) it struck out.